Haptic Organ – commissioned by Fashion Walk
‘Haptic’ originates from the greek word ‘haptikos’: any sort of information received through touch is haptic, as it appears in this installation, it is based on kinesthetic (expressing force or position) communication, in which the motion of the hand initiates visual displays and sound variations, thus allowing audiences to receive familiar feedbacks to learn how to operate the installation as an instrument. The creative duo COLLECTIVE and h0nh1m designed Haptic Organ with an intention to make music tangible, visible, sharable among each other to encourage group interactive moments in celebration of the Christmas season.
It is in the form of a 4-meter tall spiraling instrument with the recognizable elements of the strings; music notes are prompted with the aid of the non-contact haptic interface that detects hands movement in the air, while each of the 20 transparent tubes, like a pipe organ, wrap round the spiral, each encased with a metallic ball which rises up and down, dancing inside the tube through initiated air movement by hand motion; users received the visual feedback of dancing balls and can freely improvise his or her music with the aid of eight sensors giving eight notes across an octave, in addition to four that gives tones of musical instruments like strings, woodwinds, harps and sleigh bells, with volume controllable with ascending and descending movements of the hands over the haptic interfaces.
h0nh1m creates the music as a blessing for joy and peace in the Christmas season. Borrowing the melody of ‘Happy Xmas (War is Over)’ written by John Lennon and Yoko Ono, it was a work of peace activism, looking towards for peace, equality, the end of wars and discrimination.
COLLECTIVE Team: Betty Ng, Katja Lam, Ray Lau, Wingyi So
h0nh1m (Chris Cheung) Team: Chris Cheung, Jason Lam, Man Kit Leung
h0nh1m X COLLECTIVE – Haptic Organ
RadianceScape Live! is an audiovisual performance that visualizes live radiation data of different major cities (New York, Tokyo, Hong Kong, Berlin and Paris…) in comparing to Chernobyl and Fukushima. It extended the project RadianceScape 2016 installation which featured the graphical score of the radiation data of Chernobyl and Fukushima in 2016. The year to mourn the 30th and the 5th anniversary of the nuclear disaster respectively.
*The RadianceScape project was first initiated in 2014 and presented with XCEED.
Special Thanks to Jason Lam in helping to create the landscape visual for RadianceScape 2014, Jeff Wong’s laser programming in RadianceScape 2016 installation and Kwankai being in team to create the 3D cities.
輻射界 － 現場！l RadianceScape Live!
h0nh1m X NikeLab – VaporScape
子非魚 I The Happiness of Fish
冬至‧夏歸乎 l Farewell to the Sun